T H E     D O C U M E N T A T I O N     P R O J E C T

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³  Le Front de l'Art, fig. 62. This view of the room for "degenerate" art is also published in Lynn Nicholas, The Rape of Europa (New York: Alfred A. Knopf, 1994), 167; Hector Feliciano, The Lost Museum (New York: BasicBooks, 1997), fig. C12; and elsewhere.

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